Brown Office

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.

Client: Sèvres - Cité de la Céramique
Design: Dean Brown
Photography: Gerard Jonca
Date: June 2015

A collection of 14 Vase’s consisting of porcelain, 24 colour pigments, free blown glass and powder coated aluminium.  Starting by selecting classical forms from the extensive Sèvres archive, each of the 14 unglazed Vases are adorned with colour.  As a celebration of “work in progress” the colour pigments, considered as the final step in the finishing of porcelain, are held in and around the uncoated vase, collected in glass containers that form handles, lids and decorative features.  The viewer is encouraged to imagine the white form transformed by the colour, invited to make their own interpretation of the potential between the object and the unapplied colour.